3 of Ratnam’s popular Hindi films to be screened.
AB Wire
NEW YORK: The Museum of the Moving Image in Manhattan will present a special tribute to Indian film director Mani Ratnam featuring the director in person, with a trilogy of films that follow lovers against a backdrop of Indian politics: Roja (1992), Bombay (1995), and Dil Se (1998)—the latter featuring one of the most famous scenes in all of Indian cinema, the “Chaiyya Chaiyya” musical number on top of a moving train.
The series, ‘Politics as Spectacle: The Films of Mani Ratnam’, runs from July 31 through August 2, 2015. Ratnam will participate in conversations after each film, moderated by Richard Peña.
Ratnam (born 1955 in Chennai) is that rarest of film directors nowadays: an artist capable of making exquisitely crafted, hugely entertaining, yet intelligent and provocative films on a range of social and political issues.
“Mani Ratnam is a treasure, and we are pleased to host him in New York with three of his most significant and beloved films,” said Christina Marouda, the Museum’s Deputy Director for Development and Founder of the Indian Film Festival in Los Angeles, who organized this program, in a statement. “This weekend tribute offers audiences, both devoted fans and new viewers, a rare opportunity to see his gorgeous films on the big screen, presented in 35mm.”
Peña, Director Emeritus, New York Film Festival and Professor of Film Studies at Columbia University, added: “The false dichotomies that are used to categorize films—art vs. commercial cinema, entertainment vs. political filmmaking—disappear when one sees how easily Mani Ratnam is able to combine aspects of all of them into his work. A New York tribute to this important filmmaker is long overdue.”
The three films in this series are also notable for featuring the music of A.R. Rahman, who made his debut as a film composer on Roja. Having heard Rahman’s work composing ad jingles, Ratnam persuaded him to work on this film, and thereby started Rahman’s astonishing career as a major movie composer. Time magazine listed Roja as among the “Ten Best Soundtracks” of all time (a list compiled by Richard Schickel and Richard Corliss in 2005).
Widely credited as the director who revolutionized Tamil-language cinema—an industry just as prolific as its far better known “Bollywood” Hindi-language cousin—Mani Ratnam was born into a film family, his father a noted film distributor.
Ratnam was sent off to study business in Mumbai, and thereafter landed a job with a management firm, but there was celluloid in his blood, and he soon drifted into film production, writing and directing his first film, Pallavi Anu Pallavi, in 1983. Although it fared poorly at the box office, his talent was definitely noted, and soon he had invitations from a number of producers to develop projects.
His 1986 Mouna Ragam was seen as a decisive new direction in Tamil cinema, with its closely observed tale of difficult first months of a newly-wed couple. That was followed by Nayakan (1987), Ratnam’s gloss on The Godfather, which became an enormous hit all over India and received three national film awards. Without any doubt, after Nayakan, Mani Ratnam was widely considered one of India’s leading directors, a position he managed to maintain for almost 30 years.
Roja will be screened on July 31 – starring Arvind Swamy, Madhoo. A marriage is being arranged for computer engineer Rishi and a beautiful young woman, but when he meets her she begs him to marry her sister instead. So Roja becomes Rishi’s wife, a development about which she is not happy. But when she discovers that Rishi is truly a good man, she decides to devote herself to him anyway. During a trip to Kashmir, Rishi is kidnapped by separatists, who hope to use him for a prisoner exchange; all alone, Roja moves heaven and earth to set him free, fighting against the indifference of the police, the Army, and government officials.
Bombay will be screened on August 1 – Arvind Swamy, Manisha Koirala. Returning to his Southern Indian town, Shekhar falls in love with Shaila, daughter of a local brick maker. The only problem is that he is Hindu, she is Muslim, and their families are dead set against the match. The couple elopes to Bombay (Mumbai), where they hope, in the cosmopolitan capital, they can lead their own lives. Too late: Against the background of the riots following the destruction of the Babri Masjid Mosque in Ayodhya, interfaith strife soon engulfs the city. A passionate, deeply felt call for tolerance, Bombay puts a human face on an ongoing tragedy of devastating proportions.
Dil Se will be screened on August 2 – starring Shahrukh Khan, Manisha Koirala. Screened to great acclaim at Berlin’s Forum for Young Film, Dil Se begins as All-India Radio reporter Amar (the indomitable Shahrukh Khan) is stuck in a train station, waiting for the express that will take him to his next assignment. He spies a beautiful young woman and is instantly smitten, but she disappears on him; she will return, unexpectedly, to become a factor in his life, again and again—even though her ultimate aim is not clear. Romance, separatist politics, terrorism, and some eye-popping dance numbers perfectly blend in this visual tour-de-force that remains one of Ratnam’s most beloved films.