IMFF returns to Austin, Texas, in hybrid format with in-person screenings April 14-17 and virtual streaming April 22-24
The Indie Meme Film Festival, Austinâ€™s leading event curating South Asian independent cinema, returns mid-April with a diverse lineup featuring topics ranging from women’s empowerment to immigration to abusive and loving relationships.
Presented virtually in 2020 and 2021, the festival comes back in a hybrid format: In-person screenings will take place April 14-17 at Austin Film Society (AFS). Those wishing to watch the festival virtually can stream them April 22-24.
“We are really looking forward to being back at AFS for IMFF2022 with the audience, like it was meant to be,” said festival co-founder Alka Bhanot. “Of course our online edition will continue for our virtual family.”
Read: Virtual DC South Asian Film Festival from Jan 16 to 30 (January 14, 2022)
“The 2022 lineup is exceptional,” added Programming Chair and festival co-founder Tripti Bhatnagar. “With both options available, there is no excuse to miss!â€
Women direct one-third of the festival titles, while 18% of the lineup features LGBTQ+ characters and stories, according to a press release from Indie Meme, Austinâ€™s dedicated cinematic organization for South Asian films founded in 2013.
Keeping in line with their mission of highlighting socially relevant cinema, the festival this year draws attention to topics of childhood opportunity, cultural traditions and shifts, human rights, disability, caste and racial tensions, climate change, mental health, LGBTQ+ experiences and more, it said.
Veteran Indian actor-director Rajat Kapoor, who gained international fame in Mira Nair’s ‘Monsoon Wedding,’ will attend IMFF from India and participate in a Q&A after the screening of centerpiece feature â€˜RK/RKAY.â€™
The film is a surreal comedy in which a director’s failing project is further destabilized when the lead character runs out of the edit and into real life. In this entertaining and witty narrative, writer, director, and star Kapoor takes the audience on an existential journey, the release says.
Opening Night Feature, â€˜The Last Film Showâ€™ is a grand tribute to the love of movie-making from â€˜Angry Indian Goddessesâ€™ and â€˜Samsaraâ€™ director Pan Nalin, which took second place in the 2021 Tribeca Film Festival’s Audience Award Competition.
This partly autobiographical drama, set in Gujarat, India, is an engaging, heart-expanding story of a child discovering his own creative capacities. The film is a tribute to the transition from 35mm to digital movie-making and how a passion for cinema propels the child to create means to watch movies in the old-fashioned way.
â€˜Lunanaâ€™ unexpectedly broke into the competitive ‘Best International Film’ category at this year’s Oscars, becoming Bhutan’s first nominee. Director Pawo Choyning Dorji and crew shot the film on location in the world’s remotest village school, using solar-powered equipment and collaboration with local villagers.
â€˜Pebblesâ€™, India’s official Oscar submission and top prize winner of 2021’s International Film Festival of Rotterdam, is the story of a boy following his father on an overheated road trip to find his mother, and she has left due to domestic abuse. The film creates a powerful cinematic experience through simplicity, minimal dialogue, and exceptional visual storytelling.
Read: â€˜Raahgirâ€™ wins Best Feature Film award at Wheaton Summerfest (September 1, 2021)
US premiere of Cannes debut and Asia Pacific screen awards grand jury prize winner â€˜Rehanaâ€™ is a taut feminist drama. It follows an assistant professor who witnesses an incident between a professor and a female student. Her pursuit of justice leads her into a maelstrom of controversy, as the medical college would rather close the case quietly than pursue action.
Lead performer Azmeri Haque Badhon playing the moral, confrontational role of Rehana earned the ‘New Talent Award’ at the Hong Kong Asian Film Festival and ‘Best Actress’ at the Asia Pacific Screen Awards. The film became Bangladesh’s official 2021 Oscar submission.
â€˜Barah x Barahâ€™ chronicles the life of a photographer who captures images of the dead in Varanasi, one of Indiaâ€™s oldest cities. Cinematographer Sunny Lahiri will headline a Q&A session after the screening.
Other feature films at IMFF 2022 include Bangla, Hit The Road, A Night of Knowing Nothing, Midwives, I Am Belmaya, Any Day Now, Moshari, Receiver and Biriyaani.
The festivalâ€™s diverse Shorts Program features 16 films: Bambirak, Blind Date, Baahar, Mono No Aware, Sheer Qorma, Miniaturist of Junagadh, My Motherâ€™s Girlfriend, Kanya, U For Usha, Testimony of Ana, Not Today, Wade, Chai, An Early Spring, A Coup, An Early Spring, Turning Point and Cycle.
â€˜Baaharâ€™, a University of Texas at Austin Project, was awarded grant from Austin Film Society. This 14-minute short directed by Prakshi Malik tells the story of a student dealing with disaster after being accepted into the boarding school of her dreams.
â€˜A Coup,â€ Areeba Naveedâ€™s 8-minute short from Pakistan will have its North American Premiere. It narrates the story of a young girl who comes out, and a psychiatristâ€™s attempt to intervene.
â€˜Bambirak,â€™ a German-Afghan production won the Best International Fiction Award at 2021â€™s Sundance Film Festival. It’s the story of a single dad and his daughter trying to establish their life in a new country.
Complete lineup of films: https://www.indiememe.org/imff-2022
Tickets: $65 for Indie Meme members; $85 for non-members. The price is the same for in-person or virtual screenings.
Sponsors for this yearâ€™s event include H-E-B, Waterloo Greenway, The Austin Chronicle and Austin Film Society.